Uninformed Consent: Brave New Film Documenting the Plandemic

Uninformed Consent

Matador Films

Film Review

Uninformed Consent is an in depth look into the Covid 19 narrative, who’s controlling it and how it’s being used to inject an untested, novel technology, into nearly every person on the planet. It presents the material as a collage of vignettes, alternating between mainstream media coverage and sound bites from doctors, researchers and vaccine victims speaking out for vaccine choice.

Part 1

Part 1 begins with the deliberate lies various governments have disseminated about the Covid plandemic:

1) That despite having no effect on infection and transmission, [1] vaccines would prevent the spread of Covid.

2) That the unvaccinated put the vaccinated at risk (which, given that Covid vaccines don’t prevent the spread of illness, is nonsense).

3) That natural immunity following Covid infection offers no protection against future illness (despite numerous studies showing that natural Covid infection protects against all known coronavirus variants for more than 12 months).

4) Calling Covid injections “vaccines,” when they all fail to meet the legal definition of a vaccine.[2]

5) That early treatment with the antivirals Ivermectin and hydroxychloroquine (used safely and effectively against a variety of infections for over 20 years) is dangerous and ineffective.[3]

The film moves on to emphasize the criminality of Big Pharma, in league with the FDA and CDC (and Biden and Fauci), of continuing to promote Covid vaccines that have already killed nearly 30,000 Americans. Even worse is the enactment of federal, state and corporate mandates (resulting in the firing of unvaccinated employees) when officials know perfectly well that none of the Covid “vaccines” prevent infection or transmission. Several researchers highlight the irony of continuing to inoculate people for a virus (the original Wuhan variant) that doesn’t exist any more.

Part 1 next delves into the longstanding conspiracy by pharmaceutical companies to destroy the careers of doctors and researchers who question vaccine safety. In addition to highlighting numerous Covid vaccine choice doctors and researchers who have been fired and blacklisted, they also the case of British gastroenterologist Dr Andrew Wakefield. The latter had his career destroyed after he published research linking the MMR vaccine to autism. He was subsequently vindicated in 2014, when CDC whistleblower Dr William Thompson revealed the CDC had falsified data in a 2002 study showing a clear link between the MMR and autism in African American boys.

Part 2

The second part begins by questioning the motivation (and possible corruption) of judges who have have refused to overturn US mandates, despite clear evidence (originating from the pharmaceutical companies themselves) that vaccinations fails to prevent workers infected with Covid passing it on to co-workers or clients and customers.

It also compares the plight of Covid whistleblowers to that of Rachel Carson when she took on the chemical industry with her 1962 book Silent Spring. At the time, nearly the entire corporate media dismissed her as “radical,” “disloyal,” “hysterical,” and/or “unscientific.”

The filmmakers also delve into the murky role of “regulatory capture” in the mass distribution and promotion of highly dangerous and clearly ineffective [4] “vaccines.” The latter derives in part from the funding the FDA and CDC receive from pharmaceutical companies (who pay to have their assessed for approval) and in part from the notorious “revolving door” system, whereby compliant FDA and CDC officials typically move into more lucrative careers with pharmaceutical companies.

Finally they examine the failure of the mainstream to question the clearly criminal behavior by Big Pharma and corrupt regulators. It becomes clear the main reason for the massive amount pharmaceutical companies spend on TV and print advertising isn’t to promote their products. With so many news outlets relying on pharmaceutical advertising to survive, Big Pharma’s true motivation is to control content.

I was intrigued to learn the Biden administration has also paid corporate media outlets over $1 billion to promote Covid vaccines.

The film concludes by talking about the Nuremberg Code, which bans the mandatory imposition of experimental treatment on anyone without their consent, and the role of the Covid plandemic in the World Economic Forum’s Great Reset.

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[1] Drug companies have been forthright from the outset that the vaccines (allegedly) reduce the severity of Covid illness – that they don’t prevent infection or spread.

[2] See https://www.law.cornell.edu/uscode/text/26/4132

[3] After reviewing more than 60 studies, Dr Tess Lawrie estimate that early treatment with Ivermectin could have prevented 80% of Covid deaths in the US. Government and Big Pharma had to negate the effectiveness of existing treatments to meet the legal requirements for emergency FDA vaccine authorization.

[4] Growing evidence suggests that immune suppression caused by Covid vaccines means that vaccinated patients have more severe Covid infections and higher rates of hospitalization and death. The fact that the (so-called) effectiveness of these vaccines wears off after three months is further evidence of its ineffectiveness. No vaccine in history has every required three monthly administration.

Film can be viewed free at the following link:

https://live.childrenshealthdefense.org/premiere-uninformed-consent-a-matador-films-picture/

The Mythology of Science and Technology

Pandora’s Box: A Fable from the Age of Science

Directed by Adam Curtis (1992)

Film Review

Pandora’s Box is Curtis’s first documentary (at least that I can find on YouTube) about the history of perception management, mass indoctrination and collective thought control. His films, a treasure trove of the hidden history that is censored in our schools, offer a unique perspective on the role of government and media in manipulating the way we view ourselves and our relationship with society and the ruling elite.

First appearing on BBC television in 1992, the six-part series explores the collusion between engineers, corporate oligarchs and the public relations industry to hoodwink the industrialized world into believing science and technology would solve all the world’s problems. It was a process that granted a dangerous amount of power to pseudo-rational engineer/technocrats – who in many instances proved far less rational than the general population.

As Curtis demonstrates in Part 1, a parallel process occurred in the non-capitalist Soviet Union under Stalin.

Part 1 The Engineer’s Plot – concerns the powerful impetus to electrify and industrialize the Soviet Union after the 1917 Bolshevik Revolution. Lenin, who believed industrialization was vital to the success of Communism, was famous for the dictum: “Communism is Soviet power plus electrification.”

Part 2 To the Brink of Eternity – concerns the development of Game Theory at the Rand Corporation (a right wing think tank closely allied with the Pentagon and US intelligence) and whiz kids like Kennedy’s Secretary of Defense Robert McNamara who nearly led us into a global nuclear holocaust. Clips depicting McNamara’s use of Game Theory to manage the Vietnam War are particularly comical.

Part 3 The League of Gentleman – concerns the capture of British economic policy by Milton Friedman’s pseudo-scientific monetarism under Margaret Thatcher. This would result in the total decimation of Britain’s manufacturing base and skilled workforce (and economy).

Part 4 Goodbye Mrs Ant – concerns the glorification of the chemical industry after World War II, resulting in the total contamination of the environment (and our bloodstreams) with DDT and similar synthetic pesticides. Curtis also traces the backlash against this environmental destruction that started with Rachel Carson’s 1962 Silent Spring and culminated with the birth of the ecology movement at the University of Wisconsin in 1968.

Part 5 Black Power – concerns the destructive myth perpetuated by Wall Street and the World Bank that massive technology projects would magically solve the problem of third world poverty. Curtis specifically examines the massive Volvo damn project the World Bank funded for Ghana (and Kaiser Aluminum) in 1960. And how shameless exploitation by Kaiser (and the collapse in the world cocoa price) left the country worse off than ever.

Part 6 A is for Atom – concerns the massive snow job the nuclear power industry did on the US, British and Russian public in promoting nuclear energy as a totally safe and cheap form of virtually unlimited energy. According to Curtis, nuclear engineers knew as early as 1958 that nuclear power was far more expensive than other energy sources – and would require massive government subsidies. They also knew by the early sixties that standard safeguard features were unreliable in preventing nuclear accidents. When they pointed this out to the Atomic Energy Commission, the government bureaucrats decided too much money had been invested in nuclear power to admit they were wrong.