The 2013 CIA Coup in Ukraine

Ukraine on Fire

Directed by Igor Lopotanok (2016)

Film Review

This documentary explores the 2013 US color revolution in Ukraine that led to the replacement of Ukraine’s democratically elected government with a coalition of neo-Nazi groups covertly supported CIA-funded foundations. Late investigative journalist Robert Parry appears in the film to describe his investigations into the role of the US Embassy; CIA-funded foundations like the National Endowment for Democracy (NED) and the United States Agency for International Development (USAID); George Soros’s Renaissance Foundation and the Dutch Embassy.

The film begins by exploring Hitler’s invasion of Ukraine in 1941. Western Ukraine welcomed the Nazis, as this liberated them from Soviet occupation. The OSS (which became the CIA in 1947) protected Ukraine’s Nazis (who had participated in genocidal terrorism against neighboring Poles and Ukrainian Jews) to ensure they never stood trial for war crimes at Nuremberg.

In 1989, as the Soviet Union began to disintegrate, Ukrainian fascists the CIA had incubated formed the Ukrainian nationalist neo-Nazi group Svoboda. In 1994, three years after Ukraine declared independence, others would form the far right paramilitary organization Tryzub.

These and other US-funded groups were extremely instrumental in Ukraine’s first color revolution in 2005. The “Orange Revolution,” as it was known, displayed the same characteristic hallmarks as CIA-inspired “color revolutions” (eg coups) in Yemen, Syria, Libya, Georgia, Lebanon and elsewhere.

2013 witnessed a a similar color revolution after Ukrainian president Viktor Yanukovych rejected a pending EU association agreement.* When Yanukovych turned to Russia instead for financial support, the US-backed fascist groups began a campaign of “peaceful protests” in Kiev’s Maidan. As happens with many US-sponsored color revolutions, fascist and neo-Nazi instigators quickly escalated their nonviolent protests into violent attacks against police and government officials with rocks, bats, metal bars, Molotov cocktails and bulldozers.

With the help of three EU leaders, government officials negotiated a truce with opposition leaders, which the violent protestors refused to to honor. After being informed by Ukrainian intelligence that mercenaries had been hired to assassinate him, Yanukovich sought asylum in Russia. Violent protestors immediately occupied Yanukovich’s home and public office.

Although a parliamentary proposal to remove Yanukovich from the presidency lost by 68 votes, the US immediately recognized the head of the Ukrainian parliament as the new president.

A leaked phone conversation between Victoria Nuland, the lead US diplomat during the Ukraine crisis, confirms direct US involvement in the 2014 coup. During the call, Nuland is heard instructing coup leaders on US choices to form the new government.

This documentary also refutes the widespread MSM myth concerning a Russian invasion** of Crimea that never occurred. Concerned the US would organize a similar coup in the province of Crimea, the predominantly Russian-speaking residents of Crimea seized the Crimean Parliament in on February 27, 2014. On March 17, they organized a popular referendum in which 96.77% of voters (with 90% turnout) opted to leave Ukraine and request reunification with the Russian Federation.*

Russian-speaking residents of the western provinces of Luhansk and Donestsk also seized the government buildings in both provinces and declared the entire region as the People’s Republic of Donetsk. The military conflict between the Republic of Donetsk, which receives military and humanitarian support from Russia, is ongoing.

For me, the most interesting part of the film is Oliver Stone’s interview with Vladimir Putin.

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*Yanukovych worried that punitive IMF loans required to implement the agreement would destroy Ukraine’s economy.

**In 1954, Ukrainian native Nikita Khrushchev transferred governance of Crimea from Russia to Ukraine. Following the Soviet collapse, Russian maintained (via a treaty with Ukraine) a military force of 2,000 troops in Crimea following Ukrainian independence, largely to protect the Russian Black Sea Fleet in Sevastopol.

History as Fiction: How the Ruling Elite Rewrites History

The Living Dead

Directed by Adam Curtis

Part 1 – “On the Desperate Edge of Now”

Film Review

The Living Dead is an early Adam Curtis documentary regarding collective perception control techniques ruling elites use to retain power. It specifically addresses the technique of re-creating national history to ensure that populations selectively recall positive historical eras while suppressing all memory of negative events. Only Parts 1 and 3 are available in full on YouTube (Part 2 “You Have Used Me as a Fish Long Enough” is available but the audio is too distorted to be intelligible). Tomorrow I’ll post Part 3, about Margaret Thatcher channeling Winston Churchill’s messianic vision.

In Part 1, Curtis focuses on the Nuremberg war crimes trials of 1945-46. He maintains these trials were the first major propaganda assault against any historical memory of atrocities and war crimes the US and Britain committed during World War II (see British and American War Crimes During World War II).

In the US, the official determination to re-frame World War II as the “just war” would prove very troubling for individual veterans who had witnessed American atrocities (Kurt Vonnegut writes about it in Slaughterhouse Five and Joseph Heller in Catch 22).

The resulting disconnect between official accounts and their lived experiences often resulted in intense feelings of apprehension, hopelessness, isolation and fear of impending disaster. (It sure did in my father.)

The film features an excerpt from a secret film the US army made about a program designed to help veterans “forget” their troubling memories.