Banned in the USA: the Film You Didn’t See

Film Review

The War You Don’t See

Produced and directed by John Pilger

Americans now have the opportunity of seeing Australian John Pilger’s critically acclaimed The War You Don’t See on YouTube. The groundbreaking documentary was effectively banned in the US when Patrick Lannan, who funds the “liberal” Lannon Foundation, canceled the American premier (and all Pilger’s public appearances) in June 2010. Pilger provides the full background of this blatant act of censorship at his website. After watching the film, I believe its strong support of Julian Assange (who the US Department of Justice is attempting to prosecute) is the most likely reason it wasn’t shown in American theaters.

Pilger’s documentary centers around the clear propaganda role both the British and US press played in cheerleading the US/British invasion of Afghanistan and Iraq. It includes a series of interviews in which Pilger confronts British and American journalists (including Dan Rather) and news executives regarding their failure to give air time to weapons inspectors and military/intelligence analysts who were publicly challenging the justification for these invasions. The Australian filmmaker focuses heavily on the fabricated evidence (Saddam Hussein’s non-existent weapons of mass destruction and links to 9-11) that was used to convince American and British lawmakers to go along with an illegal attack on a defenceless nation (Iraq).

Making News Executives Squirm

Pilger also confronts the British news executives (from the BBC and ITV) for reporting — unchallenged — Israeli propagandist Mark Regev regarding the May 2010 Israeli attack (in international waters) of the international peace flotilla and murder of nine Turkish peace activists (including six who were executed in the back of the head at point blank range).

Although none of the news makers offer a satisfactory explanation for their actions, British news executives show obvious embarrassment when Pilger forces them to admit they knew about opposing views and failed to offer them equal air time. In my view, the main value of the film is reminding us how essential it is to hold journalists to account for their lack of objectivity. Too many activists (myself included) have allowed ourselves to become too cynical about the mainstream media to hold individual reporters and their editors and managers accountable when they function as government propagandists instead of journalists.

The War You Don’t See was released in Britain in December 2010, in the context of a Parliamentary investigation into the Blair government’s use of manufactured intelligence to ensnare the UK into a disastrous ten year foreign war. Government/corporate censorship is far more efficient in the US, and the odds of a similar Congressional investigation occurring in the US seem extremely low.

Edward Bernays: the Public is the Enemy

The film begins with a thumbnail history of modern war propaganda, which Pilger traces back to Edward Bernays, the father of public relations. Bernays, who began his career by helping Woodrow Wilson to “sell” World War I to the American people, talks in his famous book Propaganda about the public being the “enemy” which must be “countered.”

Independent Journalism is Hazardous to Your Health

The most powerful segment features the Wikileaks gunship video released in April 2010, followed by Pilger’s interview with a Pentagon spokesperson regarding this sadistic 2007 attack on unarmed Iraqi civilians. This is followed by excerpts of a public presentation by a GI on the ground at the time of assault, who was denied permission to medically evacuate two children injured in the attack.

The documentary also focuses heavily on the Pentagon’s deliberate use of “embedded” journalists to report the wars in Afghanistan and Iraq, as well as the extreme threat (often from American forces) faced by independent, non-embedded journalists. According to Pilger, a record 240 independent journalists were killed in Iraq and Afghanistan. In Palestine, the Israel Defense Force (IDF) has killed ten independent journalists since 1992. The War You Don’t See includes footage of a recent IDF attack on a Palestinian cameraman, who miraculously survived, despite losing both legs.

Pilger goes on to talk about the deliberate bombing of Al Jazeera headquarters in Kabul and Baghdad, mainly because the Arab network was the only outlet reporting on civilian atrocities. This section features excellent Al Jazeera footage of home invasions of two civilian families — in one case by British and the other by American troops — who were brutally terrorized and subjected to torture tactics.

The Interview that Got the Film Banned

The film concludes with a brief interview with Wikileaks founder Julian Assange, who discusses the increasing secrecy and failure of democratic control over the military industrial intelligence complex. Assange presents his view that this complex consists of a network of thousands of players (government employees and contractors and defense lobbyists) who make major policy decisions in their own self-interest with virtually no government oversight.

Pilger and Assange also discuss the aggressive prosecution of whistleblowers by Obama, who has the worst record of First Amendment violations of any president. They also discuss the positive implications of the willingness of military and intelligence insiders to leak hundreds of thousands of classified documents. It shows clear dissent in the ranks about the blatant criminality that motivates US foreign policy decisions.

An NSA-approved Guide to Revolution

Activists who advocate for violent revolution don’t advertise their views on the Internet for obvious reasons. That being said, Storm Clouds Gathering treads a really fine line with their recent. Revolution: An Instruction Manual. They don’t exactly advocate using violence to dismantle corporate fascism. But they don’t really condemn it, either. Instead they argue from perspective that revolutions are mainly won by psychological means and it makes most sense to attack the state where they are weakest.

The filmmakers are totally non-ideological in their approach to dismantling capitalism. In fact, they begin with the assertion that any revolution with a an inflexible pre-ordained view of the desired outcome is doomed to failure.

They then share a general overview of their own vision – a loose confederation of self-governing communities similar to the Iroquois Federation. This was the model for the Articles of Confederation, which was the founding document of the United States of America before the bankers and mercantalists used the Constitution to strip the 13 original states of their power.

Audience Participation Required

The film is interactive and requires audience participation. In fact, it stops at 1:47 minutes until the viewer answers “yes” or “no” whether they believe the system can be reformed. If they click “yes” the video ends. I clicked “no.”

The strategy the filmmakers lay out for dismantling the corporate state involves removing, one by one, what they identify as the three “pillars of power”:

1. Control of the “public mind,” as it concerns patriotism and nationalistic beliefs, such as freedom, democracy and terrorism.
2. Control of money and finance through money creation, taxation and inflation.
3. A state monopoly on violence to compel obedience through fear.

How They Got Past the NSA Censors

The film finishes quite abruptly by recommending people read three books on revolution, including Gene Sharp’s From Dictatorship to Democracy. This was an extremely wise choice, as this is the training manual the State Department and CIA-linked foundations widely distributed to activists engaged in the “color” revolutions in Eastern Europe and the Arab Spring.

I have written at length about the CIA role in financing the nonviolent movement, as well as nonviolent guru Gene Sharp’s historic links with the Pentagon, State Department, and US intelligence.

Thierry Meysson, editor of Voltaire Net, was the first to go public (in 2005) with Sharp’s longstanding links to the military-intelligence complex.* The only weakness of Meysson’s original article is his failure to cite his references. I researched the sources and confirmed each of his original assertions for a 2012 Daily Censored article entitled The CIA and Nonviolent Resistance.

Also see How the CIA Promotes Nonviolence, The CIA Role in the Arab Spring and How Nonviolence Protects the State

*In 2002, Meysson’s The Big Lie was also the first to expose US intelligence involvement in 9-11.