Directed by Mikki Willis (2020)
This is an exceptionally well-made follow-the-money documentary. It’s meticulously researched, and the filmmakers continually inform viewers of their source material. The film largely focuses on documented corruption in the World Health Organization (WHO) and various federal agencies.
One of the film’s principal narrators is a Wall Street analyst who specializes in patent research. In 2003, he discovered the US patent office had granted coronavirus patents to various federal employees performing federally funded coronavirus research. Dr Fauci (of The National Institute of Allergy and Infectious Disease) was one, along with several CDC researchers.
In 1980, Congress passed the Bayh-Dole Act, which allows federal employees to patent and privately profit from federally funded research.
However what’s most curious about these patents is that it’s illegal to patent nature. This means these coronaviruses had to be genetically modified in some way to qualify for patent protection. When questions were raised about these patents in 2013, the National Institutes of Health ended coronavirus research funding and the Obama administration offshored US coronavirus research to Wuhan China.
When WHO first declared a coronavirus pandemic in March 2020, numerous scientists (including Luc Montainger, who won a 2008 Nobel Prize for isolating the AIDS virus) came forward with additional evidence that COVID19 was genetically manipulated for biological warfare purposes. Google, Facebook, and Wikipedia all acted quickly to prevent this information from gaining traction on the Internet – Google by rigging their search algorithms, Facebook by either banning relevant posts or overshadowing them with fact checking messaging, and Wikileaks by allowing political donors to edit compromising entries.
Later research questioning the value of face masks and social distancing, which was initially at the top of most Google searches, also totally disappeared in their search engine.
Other valuable information presented in the film relates to Bill Gates’ role (through the Bill and Melinda Gates Foundation) as the single largest funder of both the WHO and the CDC. Both agencies receive half their funding from private sources, both charitable organizations (like the Gates, Clinton and Epstein Foundations) and the pharmaceutical companies that manufacture vaccines
The film also looks Event 201 in October 2019, a rehearsal for the COVID19 lockdown, and a prior pandemic rehearsal in 2018. Although both Gates and Fauci predicted the COVID19 pandemic more than a year in advance, neither used their immense wealth and prestige to ensure an adequate supply of masks, gloves, visors and ventilators, to ensure safe, timely and effective treatment for all who needed it.
My favorite part of the film features Bill Gates testifying in the antitrust suit the Justice Department filed against Microsoft in 1998. It was largely as a result of this case that Gates stepped down as Microsoft CEO in 2000, shifting his focus to the Bill and Melinda Gates Foundation. His foundation significantly benefits Gates’ personal investment in vaccines production. Gates, who calls his investment in vaccines “the best investment I ever made,” credits them with a 20 to 1 return.
*Foundation founded by the late pedophile Jeffrey Epstein.
View the film free at