The Men Behind 9-11

Solving 9-11

Christopher Bollyn (2017)

In my view, investigative journalist Christopher Bollyn has done the most comprehensive investigation into the identity of the scumbags responsible for the 9-11 false flag atrocity and cover-up. He has published the results of his 16-year investigation in two books (Solving 9-11: The Deception That Changed the World and Solving 9-11: The Original Articles) and at his website (http://www.bollyn.com/).

Bollyn is unique among 9-11 researchers in that he is a Hebrew scholar, has a degree in Israeli political science and lived in Israel during the 1970s when the Likud government first took power.

He concludes that the 9-11 plot was mainly conceived and orchestrated by Israel’s Likud government and Israeli intelligence. The goal was to establish a US military presence in the Middle East to quell Arab resistance to Israel’s illegal occupation of Palestine.

While I find Bollyn’s factual evidence for his basic premise compelling, I disagree with two of his conclusions. First I believe Dick Cheney and various members of the Bush family, FBI and US intelligence played a far bigger role in 9-11 than he gives them credit for. Second I disagree with his assertion that the US occupation of the Middle East only benefits Israel – the continuing US occupation clearly benefits Wall Street elites competing with Russia and China for control of Middle East oil and gas.

Architects and Engineers for 9-11

Bollyn spends the first 40 minutes of his video presentation reviewing the evidence compiled by the Architects and Engineers for 9-11 Truth. The latter have concluded that strategically placed nanothermite charges caused most of the damage (and the eventual collapse) of the Twin Towers. The video evidence of the initial collisions is the most interesting because the color of the smoke is wrong. There is too much white smoke (indicative of the aluminum oxide produced by nano-thermite explosions) and hardly any of the black smoke jet fuel produces when it burns.

The Art of False Flag Terrorism

At 40 minutes, Bollyn discusses the Likud Party and the involvement of their founders in the Irgun, Stern Gang, Hagana, Lehi and other violent paramilitary groups who orchestrated acts of terrorism to drive the British out of Palestine in 1948. Menachim Begin (Irgun), Itzhak Shamir (Lehi) and Ariel Sharon (Hagana) were the primary leaders of the Likud government when it first took power in 1976. Begin, especially, took great pride in being the world’s foremost terrorist. Along with their followers, they refined the art of false flag terrorism (framing Palestinians and other Israeli enemies for terrorist acts they themselves committed), which they viewed as a form of “theater” that advanced a strategic agenda. John LeCarre (thanks to inside information from Israeli intelligence) describes some of this history in detail in his 1983 novel The Little Drummer Girl, which he based on inside information from Israeli intelligence. Bollyn elaborates on this history in the Guns and Butter radio interview below.

The Role of Mossad Front Companies

In the course of his 16-year investigation, Bollyn has uncovered active involvement of Israeli intelligence (mainly via Mossad front companies created by “retired” intelligence officers) or pro-Zionist American Jews who actively collaborated with them at all the major control points of the 9-11 conspiracy and cover-up. He identifies these individuals and the names of their front companies in a slide he shows at 113.50 minutes.

The part of the presentation I found most intriguing was the involvement of “former” Mossad agents and their front companies in lobbying, beginning in the late 1980s, both to privatize the World Trade Center and to grant award its security contract to Kroll Associates, run by staunch Zionist Jules Kroll.

In July 2001, the Port Authority of New York and New Jersey sold the World Trade Center to Larry Silverstein, a strong Zionist and close confident of Likud prime minister Benjamin Netanyahu. The two had weekly for calls for many years.